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Original Title:	No Exit and Three Other Plays
Edition Language:	English

No Exit and Three Other Plays

Jean-Paul Sartre

Paperback | Pages: 275 pages

Rating: 4.1 | 25599 Users | 662 Reviews

Explanation As Books No Exit and Three Other Plays

Hell is not other people. Hell is any holiday dinner with relatives.

Fashionable in the 50s, and still required reading in prep schools and many colleges, Sartre's play - once ventilated - is a discursive product of Dada and Existentialism mixed with Kierkegaard, Nietzsche and a lot of Pernod. In the mid-40s it made him the darling of the boozoisie in Montparnasse. Actually, he was inspired by Wedekind and Strindberg. An interesting thinker, Sarte here overlooks his own contradictions : though each man is his own hell, he states, hell is -- hold on ! -- other people.

With 3 characters, this play is a fav among college drama depts and many regional theatres. The original Broadway production in 1946 was directed x John Huston and had, we're told, a superb set by the artist Frederick Kiesler. It also had an adaptation x Paul Bowles. Others must be avoided. ~ Competing with Ethel Merman in Annie Get Your Gun, Margaret Rutherford as OWs Lady Bracknell and Ingrid Bergman in a paraphrase of St Joan, it vanished after 4 weeks. But Sartre, the playwright manque, still lingers as he examines our loneliness in a bleak, disinterested world. More importantly, he foreshadows the absurdist work of Beckett, Ionesco and Pinter.

Define Based On Books No Exit and Three Other Plays

Title	:	No Exit and Three Other Plays
Author	:	Jean-Paul Sartre
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 275 pages
Published	:	1989 by Vintage (first published 1947)
Categories	:	Plays. Philosophy. Drama. Fiction. Classics. Cultural. France. Theatre

Rating Based On Books No Exit and Three Other Plays

Ratings: 4.1 From 25599 Users | 662 Reviews

Piece Based On Books No Exit and Three Other Plays

For me, this little collection gets by purely on the strength of the title play alone. No Exit is a terrific little work. The concept is clever and simple, and the execution first-rate. And in addition to being impressed by Sartres abilities as a playwright, I was also surprised that the message wasnt the vague banality I had expected it to be. As everyone knows, this play ends with a punchline: hell is other people. Now, I had expected this to mean simply that being around other people is

The second book I read is No Exit by Jean Paul Satre. I thought this book was really psychological and reminded me of a lot of things. In the book 3 people were brought to this place where there was thing but them. The theme of the book was to be yourself and not let anyone judge you. People do not make who you are, you are yourself. The 3 protagonists were unable to get pass peoples opinions so they were unable to leave. In life I think everyone cares about what others think of them. The only

A brief one-act that seems much longer than it really is. Alternately horrible and funny, it's Sartre's take on Hell, which can be described as such: a small hotel room with no windows or mirrors, a door that is usually locked, and three couches. Three people - Garcin, Ines, and Estelle - are all brought to this room by what I can only guess is a bellboy. (I read this in French, so forgive any factual errors that I missed as a reult of that) Everyone keeps asking, "Where's the torturer?" because

Sartre was marginally popular with some high school friends, particularly his novel, Nausea, and play, No Exit. I started the former at a boring party at Bill Causer's home at the Park Ridge School for Girls one night, but didn't get far. I didn't relate to the paranoid attitude and put it down. Years later, his Being and Nothingness was assigned--same attitude, but this time an obligation to complete the thing.Some time towards the end of high school I gave Sartre another chance. I'd enjoyed

I only read "No Exit", as intended. An allegory for fascism? Must be there somewhere, but I don't get it. What I do see it as an allegory, I guess, or at least an illustration, for how we say we want to escape from the emotional torment of our decisions, preferring the physical torment of "racks and prongs and garrotes", but really we want to stay in that room, with our torment, because it makes us feel alive. In emotional masochism, there is no exit as satisfying as a locked door.

No Exit: 3.5The Flies: 3.5Dirty Hands: 5The Respectful Prostitute: 5Total: 4.25, but I'm rounding to 5 even though it's closer to 4!My favorite play in this collection, by far, is Dirty Hands. It's about a man named Hugo who joined the Proletariat Party in Illyria and is assigned to the party's newsletter. Finally, he gets his chance to prove himself to the party when he's asked to play secretary to a man the party deems dangerous to its cause and wants assassinated. Hugo is supposed to be the

I guess Im in the midst of an existential questioning. Then I picked up "No Exit and Three Other Plays, and it became a full-blown crisis. I would walk to my neighbor and ask him, Do you think Im useless? Am I a bad person? What do I stand for? What is the purpose of all this? Poor guy.So this is hell. Id never have believed it. You remember all we were told about the torture-chambers, the fire and brimstone, the burning marl. Old wives tales! Theres no need for red-hot pokers. Hell is other