List Books Concering A Season in Hell/The Drunken Boat
| Original Title: | Une Saison en Enfer & Le bateau ivre |
| ISBN: | 0811201856 (ISBN13: 9780811201858) |
| Edition Language: | English |
| Characters: | Arthur Rimbaud |
Arthur Rimbaud
Paperback | Pages: 104 pages Rating: 4.34 | 7692 Users | 199 Reviews
Interpretation In Pursuance Of Books A Season in Hell/The Drunken Boat
Although Arthur Rimbaud stopped writing at the age of 19, he possessed the most revolutionary talent of the century. His poetry & prose have increasingly influenced major writers. To his masterpiece A Season in Hell is here added Rimbaud's longest & possibly greatest single poem The Drunken Boat, with the original French en face Illuminations, Rimbaud's major works are available as bilingual New Directions Paperbooks. The reputation of A Season in Hell, which is a poetic record of a man's examination of his own depths, has steadily increased over the years. Upon the 1st publication of Varese's translation by New Directions, the Saturday Review wrote: "One may at last suggest that the translation of A Season in Hell has reached a conclusive point..." Concerning the 25-stanza The Drunken Boat, Dr Enid Starkie of Oxford University has written: "(It's) an anthology of separate lines of astonishing evocative magic which linger in the mind like isolated jewels." Rimbaud's life was so extraordinary that it has taken on the quality of a myth. A biographical chronology is included.
Specify Of Books A Season in Hell/The Drunken Boat
| Title | : | A Season in Hell/The Drunken Boat |
| Author | : | Arthur Rimbaud |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 104 pages |
| Published | : | June 28th 1961 by New Directions (first published 1872) |
| Categories | : | Poetry. Cultural. France. Classics. Fiction. European Literature. French Literature. Literature. 19th Century |
Rating Of Books A Season in Hell/The Drunken Boat
Ratings: 4.34 From 7692 Users | 199 ReviewsJudge Of Books A Season in Hell/The Drunken Boat
After reading his Illuminations, I decided that I definitely wanted to encounter more of Arthur Rimbaud. I was intrigued by his creative proposition that in order to become engaged with existence the poet must place himself at variance with life. This positioning of the poet in surging counter-subjectivity to life is somewhat Hegelian in that it induces not only a creative synthesis but suffering as its essential Muse. While A Season in Hell is mature Rimbaud toward the end of his life, theHaving never read Rimbaud, I thought I would give this slim volume a try. The relationship between Rimbaud and Verlaine is famous in literary circles, and it was scandalous in the Victorian era; Rimbaud's poetry is seen as a very early statement of identity from a gay poet. That said, in order to understand Une Saison en Enfer, or The Drunken Boat, one must know more than a little about Rimbaud's tumultuous affair with Verlaine; otherwise, the average reader will simply be puzzled and frustrated
Two of my favorite works by Arthur Rimbaud. I have read the complete works several times and always enjoy reading new translations of Rimbaud. This one has a marvelous introduction (which really illustrates where Rimbaud was at during the period of his life when he wrote "Une Saison en Enfer" -- particularly concerning his tumultuous relationship with Paul Verlaine) and it has some strengths in terms of language choices and clarity. The opening lines of "A Season in Hell" dance memorably across
And so my heartaches kept growing and growing, and I saw myself going more and more to pieces and everyone else would have seen it, too, if I hadnt been so miserable that no one even looked at me anymore! and still more and more I craved his affection His kisses and his friendly arms around me were just like heaven a dark heaven, that I could go into, and where I wanted only to be left poor, deaf, dumb, and blind. Already, I was getting to depend on it. And I used to imagine that we were two
I really enjoyed Illuminations but not so much this one, perhaps for its prose aspect. Patti Smith's foreword is fun to read, though rather excessive in style and vulgarity. Keeping Rimbaud's amazing literary story in mind, you can understand the "farewell message" quality. His strongest themes of sacrilegious denial and mourning for his lost love for Verlaine go hand in hand. Some of his imagery is brilliant, amazingly modern for its time, and yet some is immature and unfocused. He was 19 when
My first Rimbaud, and I really, really liked it. Even loved parts! Ive a feeling that Ill rate it even higher after a reread or two, but Ill leave it a 4 star rating for now.
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