Salman Rushdie
Paperback | Pages: 434 pages Rating: 3.93 | 12146 Users | 622 Reviews
Define Books As The Moor's Last Sigh
| Original Title: | The Moor's Last Sigh |
| ISBN: | 009959241X (ISBN13: 9780099592419) |
| Edition Language: | English |
| Literary Awards: | Booker Prize Nominee (1995), Whitbread Award for Novel (1995), Aristeion Prize (1996) |
Chronicle Supposing Books The Moor's Last Sigh
Alternate cover for this ISBN can be found hereMoraes 'Moor' Zogoiby is a 'high-born crossbreed', the last surviving scion of a dynasty of Cochinise spice merchants and crime lords. He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.
~from the back cover
Be Specific About About Books The Moor's Last Sigh
| Title | : | The Moor's Last Sigh |
| Author | : | Salman Rushdie |
| Book Format | : | Paperback |
| Book Edition | : | UK |
| Pages | : | Pages: 434 pages |
| Published | : | July 4th 1996 by Vintage (first published 1995) |
| Categories | : | Fiction. Cultural. India. Magical Realism. Literature. Contemporary. Asian Literature. Indian Literature. Historical. Historical Fiction |
Rating About Books The Moor's Last Sigh
Ratings: 3.93 From 12146 Users | 622 ReviewsEvaluation About Books The Moor's Last Sigh
The Moors Last Sigh has about everything you would expect from one of Rushdies novels. The story of several generations of a dysfunctional Bombay family, their eccentricities and decadence, is full raw emotion and set into the colourful development of Indias history. With its carnival of temper, madness, prophecy, allusions and several detours like the one set in Alhambra or the world of pictures, this novel is still rather linear for the authors terms. But even so some threads simply get lostAnother wondrous work by Salman Rushdie. The Moors Last Sigh is a gripping family saga playing out against the historical backdrop of post-independence India, and heavily infused with that typical Rushdie-masala. Rushdies writing feels magical, and the storyline draws you in from its very first pages.The books weak point is its climax, preventing it from bagging in a perfect score. The storylines last 5% is significantly less interesting and engaging than the 95% that preceded it. The ending
I admit that I had already given The Moors Last Sigh by Salman Rushdie a couple of unsuccessful tries before I finally challenged myself to reading it in one go a couple of weeks ago. It seemed just the right time to plunge into something by Rushdie after I unexpectedly met him at a conference he was giving in Madrid as part of the World Book Day celebration. And yes, it was a big challenge. If one can love and hate a book at the same time, admire and despise it, crave for more and wish to
The novel was an anomaly for me. 5* for a book that I abandoned when I reached the middle and resumed reading after more than a year. It was probably the only book that I've abandoned and continued after some time. So glad I did it. Magical realism at its best.
Rushdie offers a richly detailed family saga, full of passion and genius as well as secrets, lies and betrayals. Told by the multidimensional Moor of the title, Moraes Zogoiby, the tale begins with his grandparents generation and ends with the Moor's own demise. But between those two points Rushdie, in impeccable form, creates a fantastical exploration of Indian history, presents complex arguments about and descriptions of art, and questions the place and meaning of various religious
If love is not all, then it is nothing: this principle, and its opposite (I mean, infidelity), collide down all the years of my breathless tale. And breath-taking it was, this epic saga on the rise, thriving and fall of four generations of an eccentric, wealthy Indian family - at least, such is the imprint the novel left on me, having read it about twenty years ago. Deception, hatred, revenge and murder are the ingredients of an exhilarating story ultimately revolving around love: scorching
The final chapters of the book, and the opening chapter, to which they loop back, are packed (or palimpsested) with historical allusions. Moraes is not only Muhammad XI (Abu-Abd-Allah, or Boabdil, in the Spanish corruption of his name): he sees himself as Dante in an infernal maze of tourists, drifting yuppie zombies, and also as Martin Luther, looking for doors on which to nail the pages of his life story, as well as Jesus on the Mount of Olives, waiting for his persecutors to arrive. It is
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