Eudora Welty
Paperback | Pages: 622 pages Rating: 4.23 | 7593 Users | 264 Reviews
Define Books To The Collected Stories
| Original Title: | The Collected Stories of Eudora Welty |
| ISBN: | 0156189216 (ISBN13: 9780156189217) |
| Edition Language: | English |
| Characters: | Clytie |
| Literary Awards: | National Book Award for Fiction (Paperback) (1983), National Book Award Finalist for Fiction (Hardcover) (1981) |
Ilustration In Favor Of Books The Collected Stories
With a preface written by the author especially for this edition, this is the complete collection of stories by Eudora Welty. Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).A curtain of green and other stories.
Lily Daw and the three ladies --
A piece of news --
Petrified man --
The key --
Keela, the outcast Indian maiden --
Why I live at the P.O. --
The whistle --
The hitch-hikers --
A memory --
Clytie --
Old Mr. Marblehall --
Flowers for Marjorie --
A curtain of green --
A visit of charity --
Death of a traveling salesman --
Powerhouse --
A worn path --
The wide net and other stories.
First love --
The wide net --
A still moment --
Asphodel --
The winds --
The purple hat --
Livvie --
At the landing --
The golden apples.
Shower of gold --
June recital --
Sir Rabbit --
Moon Lake --
The whole world knows --
Music from Spain --
The wanderers --
The bride of the Innisfallen and other stories.
No place for you, my love --
The burning --
The bride of the Innisfallen --
Ladies in spring --
Circe --
Kin --
Going to Naples --
Uncollected stories.
Where is the voice coming from? --
The demonstrators.
Declare Out Of Books The Collected Stories
| Title | : | The Collected Stories |
| Author | : | Eudora Welty |
| Book Format | : | Paperback |
| Book Edition | : | Anniversary Edition |
| Pages | : | Pages: 622 pages |
| Published | : | February 1st 1982 by Mariner Books (first published 1980) |
| Categories | : | Short Stories. Fiction. Classics |
Rating Out Of Books The Collected Stories
Ratings: 4.23 From 7593 Users | 264 ReviewsJudgment Out Of Books The Collected Stories
A wonderful, awe-inspiring story collection that spans Welty's career. Reading it with friends, as I've done here, has added to my enjoyment of the stories themselves and to my knowledge of Welty and understanding of the influences behind her writing.As to what are my favorite? Hmmm. Of course there is "Why I Live at the P.O.." Then there is the whole book "The Golden Apple". I recall scenes from "The Death of a Traveling Salesman". There are too many. And I know I will be dipping into this bookMaybe I am not smart/motivated enough to find the point in these stories, but I felt like I was just getting to the climax when.Yeah, exactly like that last sentence. There were certainly some interesting, realistic characters and dialogue, but it was like listening in on other people's conversations at the salon and having your haircut finished before you get to the good part. Sigh.
In some of her stories, Weltys adeptness at getting you into a characters frame of mind, while also giving you backstory through dialogue, is spellbinding. Papa-Daddy woke up with this horrible yell and right there without moving an inch he tried to turn Uncle Rondo against me. I heard every word he said. Oh, he told Uncle Rondo I didnt learn to read till I was eight years old and he didnt see how in the world I ever got the mail put up at the P.O., much less read it all, and he said if Uncle
Lots of people look down on Eudora Welty because they think she writes "cute" stories. Her most widely anthologized stories, like "Why I Live at the P.O." are funny, definitely, but the overall effect of her work is a sort of screwball, Southern Gothic weirdness that verges into all sorts of untraditional territory - mystery, horror, quasi-religious allegory. If you like Flannery O'Connor, I'd make the case that you'll like Eudora Welty as much, if not more.
Makes for delightful teaching. Students really respond well to the stories, showing a lot of compassion and generosity to characters. In 41 Welty was erroneously tagged as a "grotesque" by Katharine Ann Porter, and that reputation is hard to avoid in the early, famous stories like "Petrified Man" and "Why I Live at the PO." They're funny tour-de-forces, innovative in voice and form. My own preference is for the later stuff; "The Bride of the Innisfallen" is one of those long, seemingly plotless
I really, really, really wanted to like these stories, but it was like watching paint dry for me trying to get through these. For the one or two gems in the story - Petrified Man, Why I Live at the P.O., and Livvie were great! - there were twice as many that I read with eyes propped open, trying not to fall asleep. Maybe when I'm older, I'll appreciate these more? Oh, wait. I am old, now.
Having cut my literary teeth on Flannery O'Connor, I pshawed "Miss Eudora" whenever she entered the conversation regarding short story writers, assuming (without having actually read her, mind you) that she wrote polite little stories of Southern manners that didn't belong on the same shelf with Flannery. I freely admit now that attitude belonged to an ignoramus of embarrassingly shallow depths. It took just one story, "The Petrified Man," to straighten me out. In fact, her entire first
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