List Books As Teatro Grottesco
| Original Title: | Teatro grottesco |
| ISBN: | 0978991176 (ISBN13: 9780978991173) |
| Edition Language: | English |
Thomas Ligotti
Hardcover | Pages: 312 pages Rating: 4.1 | 3558 Users | 370 Reviews
Chronicle To Books Teatro Grottesco
This collection features tormented individuals who play out their doom in various odd little towns, as well as in dark sectors frequented by sinister and often blackly comical eccentrics. The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.
Declare Out Of Books Teatro Grottesco
| Title | : | Teatro Grottesco |
| Author | : | Thomas Ligotti |
| Book Format | : | Hardcover |
| Book Edition | : | First Edition |
| Pages | : | Pages: 312 pages |
| Published | : | November 30th 2007 by Mythos Books LLC (first published September 1997) |
| Categories | : | Horror. Short Stories. Fiction. Fantasy. Weird Fiction |
Rating Out Of Books Teatro Grottesco
Ratings: 4.1 From 3558 Users | 370 ReviewsCritique Out Of Books Teatro Grottesco
This collection of thirteen tales can be labelled horror, but not in the conventional sense: these reflect an existential horror, in which enigmatic and superficially placid individualsall suffering from Q-balls interfering with the orderly functioning processes of the mindfind themselves lost and stranded within unfamiliar and nightmarish settings that unfold like the dreams of a rachitic madman. The everyday world in which Ligotti's stories take placethis cramped existence itselfis never lessI think 'The Conspiracy Against the Human Race' was the volume he was working up to from the very beginning of his career, which might explain, in
Teatro Grottesco was the first short story collection I read by Ligotti. I must say that I am glad I read it, but happy to unmire myself from the unrelenting, bleak nightmare land of his visions.Was it a good read? Yes.Was it all I that it was hyped up to be? Not in my opinion.I did find many of the stories particularly delightful (The Red Tower, Gas Station Carnivals and Purity) but after several dips in the hopelesness of the collection, I found that it all became a bit repetitive.A couple of
This was the collection that made me a Ligotti fan for life. While I'd already owned and read his previous collections -- and for the most part enjoyed them -- it wasn't until I cracked Teatro Grottesco open in 2008 that something unlocked in my brain, allowing me to become fully absorbed in his nightmarish worldview and disorienting prose, both here and when re-reading his earlier collections.Ligotti had definitely evolved a lot as a writer by this period (mid-90s to early-2000s). Mostly gone
Bizarre, dark and delicious with eau de Lovecraft generously splashed at all the right pulse points. The stories are neatly subdivided and labelled to give a gentle steer: Derangements, Deformations and the Damaged and the Diseased, just in case I (e.g. the reader) dont get it. Helping hand appreciated, but not necessary. The delineation of stories based on theme and structure is practically pock-marked. Derangements is a powerhouse of the uniquely bizarre: unspecified locales, structured on
Thomas Ligotti's work has been hard to find in the UK. When I picked up this edition (published by Virgin in 2008 from the 2006 US hardback), I feared that it would be another general anthology largely duplicating the only other available text - The Shadow At The Bottom Of The World. Of course, there are very many overlaps (most notably Purity, The Red Tower, The Bungalow House, Severini and Teatro Grottesco itself) but the two books are complementary and not competitive. Why? The 'Shadow' (to
Thomas Ligottis distinctive style maintains an intriguing continuity throughout much of this collection, with varying degrees of success in the choice of narrative vehicle, each of which runs on similar fuel: a stoic acceptance of the futility inherent in everything (excepting for a slight ambivalence toward the art that in turn acknowledges said futility). Having not read Ligotti before nor read about his influences, I was most curious to experience his style firsthand. Rather unexpectedly I
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