Émile Zola
Paperback | Pages: 473 pages Rating: 3.83 | 19935 Users | 618 Reviews
Declare Books During Nana (Les Rougon-Macquart #9)
| Original Title: | Nana |
| ISBN: | 3746611091 (ISBN13: 9783746611099) |
| Edition Language: | German |
| Series: | Les Rougon-Macquart #9, Les Rougon-Macquart #17 |
| Characters: | Nana Coupeau, Philippe Hugon, Count Muffat |
| Setting: | Paris,1867(France) |
Ilustration As Books Nana (Les Rougon-Macquart #9)
Wenn die üppige blonde Nana auf der Bühne des Pariser Varietétheaters steht, spürt jeder: sie hat keinen Funken Talent. Doch das macht nichts, denn sie hat etwas anderes ... Nana, das Kind aus der Gosse, Tochter einer Wäscherin, ausgestattet mit großen sinnlichen Reizen, steigt auf zur begehrtesten Kurtisane der Pariser Gesellschaft. Sie wird zum Idol, dem sich die Männer zu Füßen werfen. Bankiers bringen ihr ein ganzes Vermögen zum Opfer, Aristokraten ihre Würde, Jünglinge nehmen sich ihretwegen das Leben. Nana in ihrer grenzenlosen Gier und Verschwendungssucht schreitet ungerührt über sie hinweg, schön wie eine Sumpfblüte, Sinnbild einer untergehenden Ära.Identify Epithetical Books Nana (Les Rougon-Macquart #9)
| Title | : | Nana (Les Rougon-Macquart #9) |
| Author | : | Émile Zola |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 473 pages |
| Published | : | 2002 by Berlin Aufbau-Taschenbuch-Verl (first published 1880) |
| Categories | : | Classics. Fiction. Cultural. France. European Literature. French Literature. Literature. 19th Century. Novels |
Rating Epithetical Books Nana (Les Rougon-Macquart #9)
Ratings: 3.83 From 19935 Users | 618 ReviewsWrite Up Epithetical Books Nana (Les Rougon-Macquart #9)
You've heard of The Hooker With A Heart Of Gold? Well, this is the other kind.I get it--Nana rose from a fetid pile of garbage and alighted arbitrarily on the upper crust of Parisian society, staining it.I get it--Nana exposed the myriad faces of man's desires, disgracing them.I get it--Nana digested men wholly and selfishly, wildly prostituting herself.I get it, but only in the last couple hundred pages. I'm an ardent fan of Emile Zola, especially the 20 part Les Rougan-Macquart series. His writing is powerful. However, the first 200 pages of Nana was downright boring.
I must disagree with all the previous reviews. I found this book to be one of Zola's most tedious and tiresome. Of course. I am a Trollope lover, and maybe that is what accounts for my dissenting opinion. I will not go through the story. That has been told. I found the book crammed with scenes of large crowds -- at the dinners and salons, at the theatre, at the racetrack-- dozens of miscellaneous characters chattering away, frivolous conversations of meaningless nonsense. And most of these
Zolas ninth instalment in the Rougon-Macquart cycle tells the tale of steely-hearted coquette Nanapart-time actress, part-time prostitute, full-time booty-shaking Venus mantrap. The first quarter of the novel is a bacchanalian romp through the Théâtre des Variétés demimonde, introducing Nanas rolling revue of sexual partners and sugar daddies. After her semi-nude debut (where she shows off her corncrake singing voice), she has all Pariss men drooling at her calves. First she settles down with
This is Nana. Watch Nana fuck. Fuck, Nana, fuck.That is the plot of Emile Zola's Nana. It is a 19th Century French novel, which means it's this big messy melodramatic soap opera. But it's so much fun! Nana is a man-eater to make anyone on Days of Our Lives blush, tangled up not only in prostitution, but in gambling, gluttony, promiscuity, lesbian kidnappings (?!), sadomasochism, suicide, murder, and, most importantly for Zola, economic catastrophe. Not only can she burn down the lives of those
"Everything in the world is about sex except sex. Sex is about power." (Oscar Wilde) Had Nana been a child of today, forced to grow up in the social circumstances of her parents' poverty, violence and alcoholism in the depressing Parisian Goutte d'Or, she would have been moved to a foster family, and sent to family therapy with her brothers. But Nana was born in 1851, according to the plot of L'Assommoir (The Dram Shop) which covers her mother's story. And she learned how to play the
In a couple of brilliant first chapters, Zola describes in detail the role of theater, a kind of musical comedy of Olympic mythological subject where the eighteen-year-old Nana, unable to sing and act, exhibits her attractive anatomy with cleavage and nudes in transparency. Then he takes us to the girl's house (who has a son since she was sixteen), where the fans stand in line as in a medical consultation, along with the creditors. Nana has to complement what she earns in the theater and with
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