Be Specific About Books Supposing Gustav Klimt: 1862-1918
| Original Title: | Gustav Klimt: Le Monde Comme Une Forme Féminine |
| ISBN: | 382285980X (ISBN13: 9783822859803) |
| Edition Language: | English |
Gilles Néret
Paperback | Pages: 96 pages Rating: 4.14 | 18890 Users | 60 Reviews
List About Books Gustav Klimt: 1862-1918
| Title | : | Gustav Klimt: 1862-1918 |
| Author | : | Gilles Néret |
| Book Format | : | Paperback |
| Book Edition | : | First Edition |
| Pages | : | Pages: 96 pages |
| Published | : | August 1st 1999 by Taschen (first published 1992) |
| Categories | : | Art. Nonfiction. Biography. Art History. History. Reference. Adult |
Commentary During Books Gustav Klimt: 1862-1918
Cult of pleasure: Feminine sensuality by the Vienna Secession's greatest proponentGustav Klimt's ornate, sensual, and decadent style made him not only the most prominent of the Vienna Secessionists but one of the best loved artists of all time. In his own time, Kilmt (1862-1918) was a highly successful painter, draftsman, muralist, and graphic artist; in the intervening years, iconic works such as The Kiss have been elevated to nothing less than cult status. Klimt's unfading popularity attests to the appeal of not only his aesthetic sensibilities but also that of the recurrent universal themes in his work: love, feminine beauty, aging, and death. He once wrote, "I am a painter who paints day after day from morning to night...Who ever wants to know something about me...ought to look carefully at my pictures." With this overview of Klimt's work, readers will delight in taking up that challenge.
About the Series:
Each book in TASCHEN's Basic Art series features:
a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Rating About Books Gustav Klimt: 1862-1918
Ratings: 4.14 From 18890 Users | 60 ReviewsDiscuss About Books Gustav Klimt: 1862-1918
The author talks only about Klimt's paintings and his artistic inclinations. At times, I feel, he gets subjective, speculative and repetitive.The worst of all - as much as I am interested in Klimt's artistic genius - the book contains no information (or almost next to nothing) about his personal life, e.g. his childhood, growing up, relations with family members, student years, love life etc. Such information is indispensable for a reader to get more acquainted with Klimt as a fellow human andI am actually giving a 4/5 for Taschen (German art book producer) for their work. They produce artist books that include personal background, history, paintings and their description in an organised and simple manner. What I also like about Taschen art books is that they make affordable coffee table books (they retail for Euro 10, although Im not sure if this is their price in Amman). I bought this one during my Klimt craze while in Vienna. My next on will be for my all-time favourite
Ive read enough publications from Taschens art portfolio that Ive become incredibly sceptical about the authorial quality, but I was happy to not find myself immediately annoyed with this book. Its much smaller in volume than most of the other art books Ive read, so the temptation to skip reading in lieu of absorbing strictly the artwork was much lessened and I was determined to read the book cover to cover. I did achieve this goal, but unfortunately found myself frustrated again due to the
Two stars only because I really, really love Klimt, and yes, I learned a few things.BUTthe only real point Néret makes in this book is that all of Klimt's art is in some way sexual (even the landscapes) and if he maybe actually put a reason in there, that wouldn't be a problem. But he literally just calls all women femme fatales who try to seduce the viewer, and that's it. Point made.It just gets tiring after you know, thirty pages. Especially as a (wl)woman, who never thought of a strong,
I LIKE THIS BOOK.
I love Klimt's works, but I didn't know about him at all. So it was really fun to know about his life and works and I like his works more than I used to now.This book shows a lot of his works and they are parented here and there. When it mentions a painting, it says "(see page22)" or something like that. So you need to go back and forth when you read it. It was a bit annoying. And sadly, some of the drawings are in back-and-white. I wanted to see them in color because I like his use of colors.
Tachens Basic Art series has long been a benediction on anyone looking to learn about an artist without shelling out mad cash or squinting at tiny prints. This volume on Klimt was done well enough. Though its writing borders on bullshitcloying in its projections, klutzing as it pronounces on Klimts allegories a brutal singularitythe book succeeds in positioning Klimt in the artistic imbroglio of the Venetian Renaissance. The fact that he was well acquainted with Freud should have been able to
0 comments:
Post a Comment