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Original Title:	Storia di chi fugge e di chi resta
ISBN:	1609452232 (ISBN13: 9781609452230)
Edition Language:	English URL http://www.europaeditions.com/book.php?Id=290
Series:	L'amica geniale #3
Characters:	Raffaella Cerullo (Lila), Gigliola Spagnuolo, Elena Greco (Lenuccia), Rino Cerullo, Stefano Carracci, Pinuccia Caracci, Alfonso Caracci, Pasquale Peluso, Carmela Peluso, Ada Cappuccio, Antonio Cappuccio, Nino Sarratore, Enzo Scanno, Marcello Solara, Michele Solara, Pietro Airota
Setting:	Naples(Italy)
Literary Awards:	BTBA Best Translated Book Award Nominee for Fiction Shortlist (2015), Andrew Carnegie Medal Nominee for Fiction (2015)

Those Who Leave and Those Who Stay (L'amica geniale #3)

Elena Ferrante

Paperback | Pages: 418 pages

Rating: 4.3 | 77966 Users | 4891 Reviews

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Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante's fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. She has gained admirers among authors--Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few--and critics--James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship.

In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her abusive husband and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which have opened the doors to a world of learned interlocutors and richly furnished salons. Both women have pushed against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.

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Title	:	Those Who Leave and Those Who Stay (L'amica geniale #3)
Author	:	Elena Ferrante
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 418 pages
Published	:	September 2nd 2014 by Europa Editions (first published October 30th 2013)
Categories	:	Fiction. Cultural. Italy. Historical. Historical Fiction. European Literature. Italian Literature. Novels. Audiobook. Literary Fiction

Rating Out Of Books Those Who Leave and Those Who Stay (L'amica geniale #3)

Ratings: 4.3 From 77966 Users | 4891 Reviews

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Elena is married, living in Florence with a husband she fights with often.They have two daughters.....making her life even more complicated. Choices need to be made. Will she leave....or will she stay? And regardless of her choice--what else has to happen? For her? Her children? Husband? Is being happy with yourself dependent on if you stay OR leave? Basically- Elena is not content as a Betty Crocker type domestic-woman. She spends a great amount of time evaluating her every move, her every

I NEVER WANT TO READ ABOUT NINO AGAIN-------Okay, I've calmed down enough to write a review (more like a "review") so that I can move on to the next book. This installment was the most frustrating one to read thus far. It feels disjointed and the entire middle of the book is sloooooow. It's hard to tell if this is an artistic choice - does the reader have to experience the same sort of ennui that Elena does as a new mother? if so, are hundreds of pages appropriate? - or if the story simply drags

YOU GUYS!!! i am currently having major angst. i somehow managed to totally miss the fact that there will be a 4th book in this series.... and that it does not come out until september, 2015. (i stay away from reviews until i have had a chance to read a book (books) for myself.) so while this series was all over my radar, i did not know too much about the books at all. so now... i have to wait to find out where this is all going. i am really at loose ends here. and a little twitchy.anyway... my

"Ferrantes singularity is to make a glory of introspection and turn it into theatre. Theres a dark ardour present in her writing, and a thrilling physicality to her metaphors, boldly translated by Ann Goldstein. She speaks of the anxious pleasure of violence, of desire feeling like a drop of rain in a spiderweb. Her charting of the rivalries and sheer inscrutability of female friendship is raw. This is high-stakes, subversive literature."Catherine Taylor for The TelegraphA theatre of

I finished this today, the day Elena Ferrantes identity has reportedly been revealed. I confess I feel a bit guilty now because while reading this there were several times I found myself wishing I knew how much was fiction and how much autobiography. I wondered this because it struck me that when Lila disappears from the pages so too does the electric charge Ferrantes writing has. Ferrante writes well about Elenas initiation into university life, the Milan literati, Italian political unrest,

[From Le nouveau nom] I wrote and rewrote my review of Elena Ferrante's third volume, but each version I produced seemed stupider than the last; empty words, tired formulas, a well-crafted and earnest nullity of expression. In the end, although I had promised myself I would not do so, I emailed the draft to my friend and asked for her advice. An hour later, she skyped me back."So what do you expect me to do?" she asked. She seemed to be in a particularly bad mood. "You're the reviewer. You

I am completely and utterly spellbound, bewitched. Each novel in the series is getting me more hooked. Again, where do I start? I'll just write a few thoughts.It's the 70s. Elena is married to her university boyfriend, who's now a Professor and a very dull individual. Ferrante is brilliant at conveying the loneliness of domesticity. The conflict between loving your family and wanting to be there for them and the mind-numbness of the constant chores. Even the sex is a chore. Elena is disappointed